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Dissertação

A dança da modaLuiz Gonzaga como mediador cultural (1946-1954)

Ferreira, Renildo Carlos

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Resumo

This work analyzes the development of musical and symbolic representations of Pernambuco singer-songwriter Luiz Gonzaga do Nascimento during the fourth and fifth decades of the 20th century. Through his cultural mediation in the golden phase of baião (1946-1954), the accordion player elevated the northeast outback to a national level and demonstrated the exchange of experiences between the use of traditions of origin and aspects of his affective memory in the explosion of a true sound phenomenon and throughout his career. The elaboration of discourses for the construction of an imaginary of the brazilian northeast, despite being built in the metropolis, made the Gonzaguian music conquer space in the Brazilian phonographic market, by aligning its unprecedented form of cultural hybridization, disseminating regional matrices and urbanly renewing the baião musical genre whose relations became collective references of northeastern representativeness and identification in identity negotiation with its listener. The beginning of its artistic trajectory allows us to evaluate some contexts in the social and political environments that permeate from the first excursions of the first regional northeastern musical groups to the innovative interest of the cultural industry in its production of regionalist bias, widely spread by the radio and the press in Rio de Janeiro, reaching various social and economic circles. In this sense, the integration thought of between mass communication by radio and popular culture in the Northeast transformed the genre thought and elaborated by Gonzaga and other partners into a national sound and visual affirmation, eternalized as their musical legacy within the Brazilian cultural heritage.

Ficha do documento

Tipo
Dissertação
Ano
2020
Instituição
Fundação Getulio Vargas
Idioma
Português
Acesso
Acesso aberto
Identificador
oai:repositorio.fgv.br:10438/29657

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