Tomadas da cidade em pleno AI-5“Pira” e os superoitismo experimental urbano

Resumo

The research examines the motivations and social practices established around the cinematographic production of a generation that made experimental films in Super-8 format during the 1970s, in Brazil. The approach to cinema as an experience, combining film analysis and oral history interviews, reveals hidden narratives about the military dictatorship in its most violent period, under Institutional Act number 5 (AI-5), and its impact on part of urban youth. The relationships between the filmmakers, the camera and the city are analyzed with the same interest dedicated to the films produced. “Urban experimental supereightism” is presented as a cultural scene that was part of the counterculture context and whose films impacted the so-called canonical national cinema. The film Pira, by Sérgio Péo, is analysed in depth and its trajectory is revealed over the five decades that separate its production from the time in which Super-8 reemerges as archival material of historical interest and as an object of individual and collective memory.

Ficha do documento

Tipo

Tese

Ano

2024

Instituição

Fundação Getulio Vargas

Fonte

Repositório da FGV

Idioma

Português

Acesso

Acesso aberto

Identificador

oai:repositorio.fgv.br:10438/35799

Temas

Planejamento Urbano

Palavras-chave

Super-8PiraSérgio PéoSuperoitismo Experimental UrbanoCurta-metragemCinema experimentalCinema amadorUrban Experimental SupereightismShort filmExperimental cinemaAmateur cinemaHistóriaBrasil - História - 1964-1985