As artes plásticas nos anos 1970 e a atuação da FUNARTE

Resumo

The present research is dedicated to the understanding of the creation of Funarte and its performance in its initial years, as a brand new posture of the federal government, in the field of plastic arts. Funarte brought together critics, theoreticians, historians and artists, who through theory and practice sought to contribute to pioneering projects through which we find the formulation of a policy for contemporary art, which was initially reflected in the support of research. In historiography there are few analyzes of the period in which the creation and implementation of the main strategies of the institution took place, so it may be necessary to point out that my transdisciplinary intention uses a methodology that focuses on tracing the historical thread of art in the cultural life. Thus, political history and memory become fundamental for the extension of the ways of understanding the proposed theme. I try to think of the relationship between state censorship and the promotion of contemporary artistic practices, defending a new relationship between 1976-1979, when characters who had initially been persecuted or held a critical stance to authoritarian rule are now gaining support for visual arts research. Therefore, when contemporary art appears within Funarte, it does not appear in the form of exhibitions, nor in the form of direct support for the artist's work, a fact peculiar to this relationship of Funarte with contemporary art in this initial moment is the reflection on the past with focus on their influence in the present.

Ficha do documento

Tipo

Dissertação

Ano

2018

Instituição

Fundação Getulio Vargas

Fonte

Repositório da FGV

Idioma

Português

Acesso

Acesso aberto

Identificador

oai:repositorio.fgv.br:10438/24092

Palavras-chave

MemoryHistoryDictatorshipVisual artsFUNARTEMemóriaHistóriaDitaduraArtes visuaisCiências sociaisCulturaMemória - Aspectos políticosArtes plásticas